portrait of galeazzo sanvitale
These symbols have been interpreted as a "C" and an "F", hinting to title of Comes Fontanellati ("Count of Fontanellato"), or as a "72" (based on earlier inventories). 38105 images are available with authorization; descriptions are openly available.. People affiliated with the University of Michigan can log in to view them. The other hand is wearing a glove, and shows a bronze medal with two symbols. He died on 8 Septe… Museum: Museo di Capodimonte, Naples. Portrait of Galeazzo Sanvitale (1524) is a painting of the condottiero Gian Galeazzo Sanvitale by the Italian late Renaissance artist Parmigianino. Portrait of Galeazzo Sanvitale Portrait of Galeazzo Sanvitale is a painting of the condottiero Gian Galeazzo Sanvitale by the Italian late Renaissance artist Parmigianino. During the various changes of hands the painting lost its original identification, and was considered a portrait of Christopher Columbus (likely due to the presence, in the hat, of a representation of the Pillars of Hercules) from Raphael's school. Eucherio was the son of Gian Galeazzo Sanvitale, and had inherited the family's possessions in 1550. [2], The left hand lies on the chair's armrest: it has a golden ring with a stone on the little finger, and holds a glove, near the sword's hilt. The portrait, together with the whole Farnese collection, left Parma for Naples in 1784. [1], The work is a "parade portrait", destined to enhance the count's image in front of his guests, and not a private depiction: this is visible in the rich display of objects showing his interests and his refined costumes. It is housed in the National Museum of Capodimonte, Naples, Italy. It is housed in the National Museum of Capodimonte, Naples, Italy. He also executed the Stufetta of Diana and Actaeon and a cycle of frescoes in the private room of Paola Gonzaga, wife of Gian Galeazzo Sanvitale. Access more artwork lots and estimated & realized auction prices on MutualArt. [1], The count, then 28, is portrayed on a "Savonarola" chair from three-quarters but with the face looking towards the viewer. He served as Archbishop of Bari-Canosa until his resignation in 1606. Quantity: 3 available / 2 sold. Lucy and Apollonia at San Giovanni Evangelista, while the portrait scheme and technique recalls the Portrait of Galeazzo Sanvitale. The work is a "parade portrait", destined to enhance the count's image in front of his guests, and not a private depiction: this is visible in the rich display of objects showing his interests and his refined costumes. It was created by Parmigianino in 1524. portrait. On a table behind Sanvitale are pieces of a shining armor and a flanged mace, symbols of his military role as condottiero. The work, dated 1524 on the rear, was executed during his stay there, before he moved to Rome the following year. There are at least two old copies of the painting, one in the Uffizi depot (inventory 3971) and one at the Walker Art Center of Minneapolis, United States. The count, then 28, is portrayed on a "Savonarola" chair from three-quarters but with the face looking towards the viewer. A descendant of Galeazzo Sanvitale, Luigi, recognized his ancestor based on some documents, in 1857. The left hand lies on the chair's armrest: it has a golden ring with a stone at the little finger, and holds a glove, near the sword's hilt. Author: PARMIGIANINO. On 4 April 1604, he was consecrated bishop in the chapel of the Apostolic Sacristy, Rome by Girolamo Bernerio, Cardinal-Bishop of Albano, with Claudio Rangoni, Bishop of Piacenza, and Giovanni Ambrogio Caccia, Bishop of Castro del Lazio, serving as co-consecrators. Amazon.com: Berkin Arts Parmigianino Classic Framed Giclee Print On Canvas-Famous Paintings Fine Art Poster-Reproduction Wall Decor(Portrait of Galeazzo Sanvitale) #JK: Posters & Prints Portrait of Galeazzo Sanvitale (1524) is a painting of the condottiero Gian Galeazzo Sanvitale by the Italian late Renaissance artist Parmigianino. He wears a wide black jacket, according to the contemporary alla Francese ("French-style") fashion, under which two red sleeves and the white shirt (with embroideries at the wrist) are visible. Parmigianino worked for a short period at the Sanvitale family court in their "Rocca" (palace-fortress) at Fontanellato (in what is now the province of Parma). Galeazzo Sanvitale was born in Parma, Italy in 1566. View sold price and similar items: Oil on Canvas, Portrait of Gian Galeazzo Sanvitale from Nye & Company on May 4, 0120 10:00 AM EDT. Portrait of Galeazzo Sanvitale (1524) is a painting of the condottiero Gian Galeazzo Sanvitale by the Italian late Renaissance artist Parmigianino.It is housed in the National Museum of Capodimonte, Naples, Italy.. History. View all. There are some preparatory drawings at the Cabinet des Dessins of the Louvre (6472 recto and verso) and in the Tobley Collection. Item Information. Oct 14, 2020 - Portrait of Galeazzo Sanvitale, 1524. Portrait of Galeazzo Sanvitale, 1524. It is housed in the National Museum of Capodimonte, Naples, Italy. Details about Perfect Oil painting parmigianino - portrait of galeazzo sanvitale & his armor. Portrait of Galeazzo Sanvitale Parmigianino 1524. Portrait of Count Galeazzo Sanvitale, seated half length, wearing black Costume with brown slashed Sleeves and a Cap oil on canvas 18½ x 14¾in. Get premium, high resolution news photos at Getty Images Collection Access; There are no openly available images. 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