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ode on a grecian urn

ode on a grecian urn

Jones, John. Ode On A Grecian Urn focuses on art, beauty, truth and time and is one of Keats' five odes, considered to be some of the best examples of romantic poetry. [16] Keats developed his own type of ode in "Ode to Psyche", which preceded "Ode on a Grecian Urn" and other odes he wrote in 1819. “Ode on a Grecian Urn” Themes Mortality “Ode on a Grecian Urn” is a complex meditation on mortality. "[42] To Vendler, desire and longing could be the source of artistic creativity, but the urn contains two contradicting expressions of sexuality: a lover chasing after a beloved and a lover with his beloved. 5 What men or gods are these? His health condition had an impact on his creative work, giving it the sense of lightness and filling it with the air of never-ending serenity and blissful happiness. Crossword Clue The crossword clue 'Ode on a Grecian ___' with 3 letters was last seen on the November 16, 2020.We think the likely answer to this clue is URN.Below are all possible answers to this clue ordered by its rank.         A burning forehead, and a parching tongue. [15], In 1819, Keats had attempted to write sonnets, but found that the form did not satisfy his purpose because the pattern of rhyme worked against the tone that he wished to achieve. Reprinted with minor changes in John Keats, Lamia, Isabella, The Eve of St. Agnes, and Other Poems (1820). Though winning near the goal—yet, do not grieve; [19], Keats's metre reflects a conscious development in his poetic style. Ode on a Grecian Urn: Text of the Poem 3 beauty, though still present after thousands of years, will one day be destroyed. For the poet, Sundays were not for church, but for Shakespeare. The Crossword Solver found 20 answers to the "Ode on a Grecian Urn" poet crossword clue. We found one answer for the crossword clue Ode on a Grecian Urn. What pipes and timbrels? Poet laureate Robert Bridges sparked the debate when he argued: The thought as enounced in the first stanza is the supremacy of ideal art over Nature, because of its unchanging expression of perfect; and this is true and beautiful; but its amplification in the poem is unprogressive, monotonous, and scattered ... which gives an effect of poverty in spite of the beauty. THE "ODE ON A GRECIAN URN," OR CONTENT VS. METAGRAMMAR LEO SPITZER Auream quisquis mediocritatem Diligit, tutus caret obsoleti Sordibus tecti, caret invidenda Sobrius aula. [58] To Kenner, the problem with Keats's Beauty and Truth statement arises out of the reader's inability to distinguish between the poet, his reflections on the urn, and any possible statement made by the urn. In stanza one, the poet speaks of a ceramic urn from ancient Greece; such urns often were used to hold the ashes of the dead and were decorated with scenes from daily life or from myth and legend. "[67] Ronald Sharp followed in 1979 with a claim that the theme of "the relationship between life and art ... receives its most famous, and its most enigmatic and controversial, treatment" within the poem. Although he died at the age of twenty-five, Keats had perhaps the most remarkable career of any English poet. Ode on a Grecian Urn, poem in five stanzas by John Keats, published in 1820 in the collection Lamia, Isabella, The Eve of St. Agnes, and Other Poems. The "ode" is an Ancient Greek form of poetry that is marked by its seriousness and technical difficulty. Find clues for 'Ode on a Grecian Urn… In `Ode on a Grecian Urn’, Keats makes an imaginative exploration of the inter relationship of art and life and concludes that beauty is truth and truth beauty. Thou still unravish’d bride of quietness, Thou foster-child of Silence and slow Time, Sylvan historian, who canst thus express. This conclusion on art is both satisfying, in that it allows the audience to actually connect with the art, and alienating, as it does not provide the audience the benefit of instruction or narcissistic fulfilment. A pc maker to develop a product, what distribution channels are still relatively few first time that manet even considered thinking about surface at an angle of.         For ever wilt thou love, and she be fair! The figures on the urn within "Ode on a Grecian Urn" lack identities, but the first section ends with the narrator believing that if he knew the story, he would know their names. The hard edges of classical Greek writing are softened by the enveloping emotion and suggestion. The obvious literal reason that the trees on the urn cannot shed their leaves is because they are not real trees. [13] Following the initial publication, the Examiner published Keats's ode together with Haydon's two previously published articles. Is emptied of this folk, this pious morn? I am uneasy, however, about his final reference to 'the world-view ...' For the poem as a whole is equally an utterance by a dramatically presented speaker, and none of its statements is proffered for our endorsement as a philosophical generalization of unlimited scope. But this time it is a positive instead of a negative conclusion. Ode on a Grecian Urn Thou still unravished bride 1 of quietness, Thou foster child of silence and slow time, Sylvan 2 historian, who canst thus express A flowery tale more sweetly than our rhyme: What leaf-fringed 3 legend haunts about thy shape 5 Of deities or mortals, or of both, In Tempe 4 or the dales of Arcady? The sensual aspects are replaced with an emphasis on the spiritual aspects, and the last scene describes a world contained unto itself. Keats also had access to prints of Greek urns at Haydon's office,[5] and he traced an engraving of the "Sosibios Vase", a Neo-Attic marble volute krater, signed by Sosibios, in The Louvre,[6] which he found in Henry Moses's A Collection of Antique Vases, Altars, Paterae. They are usually very thoughtful works that try to praise and elevate their subject. To conclude thus may seem to weight the principle of dramatic propriety with more than it can bear. What pipes and timbrels? [58] Charles Rzepka, in 1986, offered his view on the matter: "The truth-beauty equation at the end of the 'Ode on a Grecian Urn' offers solace but is finally no more convincing than the experience it describes is durable. [60], Not every 20th-century critic opined primarily on the quality of the final lines when discussing the success or failure of the poem; Sidney Colvin, in 1920, explained that "while imagery drawn from the sculptures on Greek vases was still floating through his mind, he was able to rouse himself to a stronger effort and produce a true masterpiece in his famous Ode on a Grecian Urn. You’ve probably heard of John Keats’ “Ode on a Grecian Urn” at some point in your educational lifespan. In its original (Greek) (2013, 09). "[59] Rick Rylance picked up the debate again in 1990 and explained that the true meaning of the final lines cannot be discerned merely by studying the language. To enable its readers to do this is the special function of poetry. Learn the important details, written in a voice that won't put you to sleep. Ode on a Grecian Urn Launch Audio in a New Window.     She cannot fade, though thou hast not thy bliss, Ode On A Grecian Urn - Comprehension Questions Answer Key Explain whether the rest of the poem supports or contradicts this claim. 7. Hofmann, Klaus, 'Keats's Ode to a Grecian Urn', Studies in Romanticism 45, 2 (verano de 2006), 251 - 84. "[39] John Jones, in his 1969 analysis, emphasises this sexual dimension within the poem by comparing the relationship between "the Eve Adam dreamed of and who was there when he woke up" and the "bridal urn" of "Ode on a Grecian Urn". Arthur Quiller-Couch responded with a contrary view and claimed that the lines were "a vague observation – to anyone whom life has taught to face facts and define his terms, actually an uneducated conclusion, albeit most pardonable in one so young and ardent. Than ours, a friend to man, to whom thou say'st, (lines 17–20)[22], In the third stanza, the narrator begins by speaking to a tree, which will ever hold its leaves and will not "bid the Spring adieu". His works 'rise like an exhalation.' He previously used the image of an urn in "Ode on Indolence", depicting one with three figures representing Love, Ambition and Poesy. Ode On A Grecian Urn Ode On A Grecian Urn by John Keats Thou still unravish'd bride of quietness, € €Thou foster-child of silence and slow time, Sylvan historian, who canst thus express € €A flowery tale more sweetly than our In contrast, being a piece of art, the urn requires an audience and is in an incomplete state on its own. [3] The poems were transcribed by Brown, who later provided copies to the publisher Richard Woodhouse. Many contemporary essays and articles on these works shared Keats's view that classical Greek art was both idealistic and captured Greek virtues. This is a perfectly written, an irregular ode. This contradiction reveals Keats's belief that such love in general was unattainable and that "The true opponent to the urn-experience of love is not satisfaction but extinction."[43]. The Crossword Solver finds answers to American-style crosswords, British-style crosswords, general knowledge crosswords and cryptic crossword puzzles. The final stanza begins with a reminder that the urn is a piece of eternal artwork:[28], O Attic shape! Written in 1819, ‘Ode on a Grecian Urn’ was the third of the five ‘great odes’ of 1819, which are generally believed to have been written in the following order – Psyche, Nightingale, Grecian Urn, Melancholy, and Autumn. What maidens loth? The most famous poem in the English language? The lover on the urn can never win a kiss from his beloved, but his beloved can never lose her beauty. "[48] During the mid-19th century, Matthew Arnold claimed that the passage describing the little town "is Greek, as Greek as a thing from Homer or Theocritus; it is composed with the eye on the object, a radiancy and light clearness being added."[49]. The poetic revolution that brought common people to literature’s highest peaks. Yes, this line from "Ode to a Grecian Urn" is in iambic pentameter. [4], In the odes of 1819 Keats explores his contemplations about relationships between the soul, eternity, nature, and art. A burning forehead, and a parching tongue. Whether such another cause, and such another example, of critical diversity exists, I cannot say; if it does, it is unknown to me. The images of the urn described within the poem are intended as obvious depictions of common activities: an attempt at courtship, the making of music, and a religious rite.     Thou, silent form, dost tease us out of thought In stanza … A Grecian Urn throws him into an ecstasy: its 'silent form,' he says, 'doth tease us out of thought as doth Eternity,'—a very happy description of the bewildering effect which such subjects have at least had upon his own mind; and his fancy having thus got the better of his reason, we are the less surprised at the oracle which the Urn is made to utter: 'Beauty is truth, truth beauty,'—that is all John Keats was greatly impressed by Greek art, painting and literature. Not to the sensual ear, but, more endear'd, "[7] Ayumi Mizukoshi, in 2001, argued that early audiences did not support "Ode to Psyche" because it "turned out to be too reflexive and internalised to be enjoyed as a mythological picture. To what green altar, O mysterious priest, Therefore the poet urges the musician pictured on the urn to play on. Ode on a Grecian Urn Thou still unravish'd bride of quietness, Thou foster-child of silence and slow time, Sylvan historian, who canst thus express A flowery tale more sweetly than our rhyme: What leaf-fring'd legend haunts about thy shape Of deities or mortals, or of both, In Tempe or the dales of Arcady? [31] The narrator interacts with the urn in a manner similar to how a critic would respond to the poem, which creates ambiguity in the poem's final lines: "'Beauty is truth, truth beauty,' – that is all / Ye know on earth, and all ye need to know." "[72], the most famous and expensive paintings of the day, The Well-Wrought Urn: Studies in the Structure of Poetry, Re-Imagining Olympus: Keats and the Mythology of Individual Consciousness, On The Truth of Beauty: Nietzsche, Heidegger, Keats, Form and Content in Keats's 'Ode on a Grecian Urn', Bright star, would I were stedfast as thou art, https://en.wikipedia.org/w/index.php?title=Ode_on_a_Grecian_Urn&oldid=1002547937, Works originally published in British magazines, Creative Commons Attribution-ShareAlike License. By John Keats. [30] Although the poem does not include the subjective involvement of the narrator, the description of the urn within the poem implies a human observer that draws out these images. [21] The narrator addresses the urn by saying: Thou still unravish'd bride of quietness, What mad pursuit? "Ode on a Grecian Urn" was not well received by contemporary critics. Ode on a Grecian Urn 6. Keats reverses this when describing an urn within "Ode on a Grecian Urn" to focus on representational art. The term iambic refers to the type of pattern or foot used. with brede Your leaves, nor ever bid the Spring adieu; That leaves a heart high-sorrowful and cloy'd. [38] The urn's description as a bride invokes a possibility of consummation, which is symbolic of the urn's need for an audience. Ye know on earth, and all ye need to know. The last stanza enters stumbling upon a pun, but its concluding lines are very fine, and make a sort of recovery with their forcible directness.[50]. Living with his friend Charles Brown, the 23-year-old was burdened with money problems and despaired when his brother George sought his financial assistance.         Thou shalt remain, in midst of other woe In this poem, Keats describes how beautiful things frozen in time are. The statement of Keats seems to me meaningless: or perhaps the fact that it is grammatically meaningless conceals another meaning from me. In "Ode to a Nightingale" and "Ode on Melancholy", Keats describes how beauty is temporary. Of these three, Love and Poesy are integrated into "Ode on a Grecian Urn" with an emphasis on how the urn, as a human artistic construct, is capable of relating to the idea of "Truth". In the part 3, Keats work, “Ode on a Grecian Urn,” will be analyzed. [2] A long debate over the poem's final statement divided 20th-century critics, but most agreed on the beauty of the work, despite certain perceived inadequacies.     A flowery tale more sweetly than our rhyme:     Are sweeter; therefore, ye soft pipes, play on; John Keats practically defines the term "Romantic." The same overall pattern is used in "Ode on Indolence", "Ode on Melancholy", and "Ode to a Nightingale" (though their sestet rhyme schemes vary), which makes the poems unified in structure as well as theme. "Ode on a Grecian Urn" is a poem written by the English Romantic poet John Keats in May 1819, first published anonymously in Annals of the Fine Arts for 1819 (see 1820 in poetry). PR 4830 E20AB Fisher Rare Book Library (Toronto). His language has been formed on a false system; but, ere he died, was clarifying itself from its more glaring faults, and becoming copious clear, and select. Lead'st thou that heifer lowing at the skies,     Pipe to the spirit ditties of no tone: (lines 11–14)[22], There is a hint of a paradox in that indulgence causes someone to be filled with desire and that music without a sound is desired by the soul. Of these, the last is perhaps easiest for the reader to immediately comprehend. MacGillivray, J. R. "Ode on a Grecian Urn", Patterson, Charles. A flowery tale more sweetly than our rhyme: What leaf-fring’d legend haunts about thy shape. [37], In terms of the actual figures upon the urn, the image of the lovers depicts the relationship of passion and beauty with art. The second section of the poem, describing the piper and the lovers, meditates on the possibility that the role of art is not to describe specifics but universal characters, which falls under the term "Truth". The questions the narrator asks reveal a yearning to understand the scene, but the urn is too limited to allow such answers. : Scolar Press, 1970. The unheard song never ages and the pipes are able to play forever, which leads the lovers, nature, and all involved to be:[25], For ever panting, and for ever young; As doth eternity: Cold Pastoral! And all her silken flanks with garlands drest? What men or gods are these? [33] The nightingale of "Ode to a Nightingale" is separated from humanity and does not have human concerns. The ode has been called one of the greatest achievements of Romantic poetry, and it is also one of the most widely read poems in the English language. [17] The technique of the poem is ekphrasis, the poetic representation of a painting or sculpture in words. Answers for 'Ode on a Grecian Urn' poet crossword clue. [32], As a symbol, an urn cannot completely represent poetry, but it does serve as one component in describing the relationship between art and humanity. [34] In this meditation, the narrator dwells on the aesthetic and mimetic features of art. It is a speech 'in character' and supported by a dramatic context. C. Late in 1817, in other words two years prior to the composition of "Ode on a Grecian Urn," John Keats began formulating the artistic theory of "Negative Capability," a … The relationship between the audience with the world is for benefiting or educating, but merely to emphatically connect to the scene. Within the company, grecian a essays about ode on urn fogcreek companies doubles, industry week, industryweek. In five stanzas of ten lines each, the poet addresses an ancient Grecian urn, describing and discoursing upon the images depicted on it.     Of deities or mortals, or of both, The poet concludes that the urn will say to future generations of mankind: "'Beauty is Truth, Truth Beauty.' A flowery tale more sweetly than our rhyme: What leaf-fring'd legend haunts about thy shape. Keats's creation established a new poetic tone that accorded with his aesthetic ideas about poetry. It has clear-cut three parts: introduction, main subject and conclusion, corresponding to what Aristotle calls a beginning, a middle and an end. Similarly, the response of the narrator to the sacrifice is not compatible with the response of the narrator to the lovers. The urn is an external object capable of producing a story outside the time of its creation, and because of this ability the poet labels it a "sylvan historian" that tells its story through its beauty:[23], Sylvan historian, who canst thus express Ode on a Grecian Urn Thou still unravish'd bride of quietness, Thou foster-child of silence and slow time, Sylvan historian, who canst thus express A flowery tale more sweetly than our rhyme: What leaf-fring'd legend haunts about thy shape Of deities or mortals, or of both, In Tempe or the dales of Arcady? And, little town, thy streets for evermore The images on the urn provoke the narrator to ask questions, and the silence of the urn reinforces the imagination's ability to operate. Keats's odes seek to find a "classical balance" between two extremes, and in the structure of "Ode on a Grecian Urn", these extremes are the symmetrical structure of classical literature and the asymmetry of Romantic poetry. edn. [26] The fourth stanza opens with the sacrifice of a virgin cow, an image that appeared in the Elgin Marbles, Claude Lorrain's Sacrifice to Apollo, and Raphael's The Sacrifice at Lystra[27][A 1], Who are these coming to the sacrifice? While the five poems display a unity in stanza forms and themes, the unity fails to provide clear evidence of the order in which they were composed. We’ll start with Ode on a Grecian Urn and then for the next episode will be doing To a Nightingale Erin: And Ode on a Grecian Urn and Ode to a Nightingale were part of a series of five Odes that Keats wrote all in one fantastic Spring of 1819, and no one really knows the order in which he wrote them. What men or gods are these? This may seem an absurd mistake but, alas! Enter the answer length or the answer pattern to get better results. Grecian Ode" is based on a series of paradoxesand opposites: the discrepancy between the urn with its frozen images and the dynamic life portrayed on the urn, … Fair attitude! With forest branches and the trodden weed; Thou, silent form, dost tease us out of thought.     "Beauty is truth, truth beauty,"—that is all     Thou foster-child of silence and slow time, (lines 1–2)[22], The urn is a "foster-child of silence and slow time" because it was created from stone and made by the hand of an artist who did not communicate through words. El sueño de la verdad de John Keats . The poet describes a scene on an urn that depicts two lovers chasing one another in a … "Keats and 'Ekphrasis'" in. (lines 46–50)[22], Like many of Keats's odes, "Ode on a Grecian Urn" discusses art and art's audience. ", Bright star, would I were stedfast as thou art”, Common Core State Standards Text Exemplars. The answer for the clue Ode on a Grecian Urn on Crossword Clues, the ultimate guide to solving crosswords. What men or gods are these? The three figures would represent how Love, Beauty, and Art are unified together in an idealised world where art represents the feelings of the audience. This interaction and use of the imagination is part of a greater tradition called ut pictura poesis – the contemplation of art by a poet – which serves as a meditation upon art itself.     Or mountain-built with peaceful citadel, Ode on a Grecian Urn Keats, John (1795 - 1821) Original Text: Annals of the Fine Arts, 15 (Dec. The beginning of the poem posits that the role of art is to describe a specific story about those with whom the audience is unfamiliar, and the narrator wishes to know the identity of the figures in a manner similar to "Ode on Indolence" and "Ode to Psyche". As well as ‘ Ode to a Nightingale ‘, in which the poet deals with the expressive nature of music, ‘Ode on a Grecian Urn’ is another attempt to engage with the beauty of art and nature, this time addressing a piece of pottery from ancient Greece. Discussion of themes and motifs in John Keats' Ode on a Grecian Urn. Ode on a Grecian Urn By John Keats poem, summary, themes, analysis and quotes. Students may take either position. When old age shall this generation waste. Heard melodies are sweet, but those unheard. [56], Walter Evert, discussing the debate in 1965, justified the final lines of the poem to declare "The poem, then, accepts the urn for the immediate meditative imaginative pleasure that it can give, but it firmly defines the limits of artistic truth. ‘Ode on a Grecian Urn’ is one of the best-known and most widely analysed poems by John Keats (1795-1821); it is also, perhaps, the most famous of his five Odes which he composed in 1819, although ‘To Autumn’ gives it a run for its money. Moreover, the beauty of works of art is eternal, while the beauty […] Ode on a Grecian Urn. What leaf-fring'd legend haunts about thy shape But on re-reading the whole Ode, this line strikes me as a serious blemish on a beautiful poem, and the reason must be either that I fail to understand it, or that it is a statement which is untrue. Commentary on Ode on a Grecian Urn No one knows if, when he wrote this in May 1819 (his great year of productivity), Keats had in mind one particular urn, although it is known that he drew or traced a vase contained in a volume of engravings called Musée Napoléon that he saw in the house of his friend Benjamin Haydon. However, Keats incorporates spondees in 37 of the 250 metrical feet. "[65] Walter Jackson Bate argued in 1962 that "the Grecian Urn possesses a quiet and constrained composure hardly equaled by the other odes of this month and perhaps even unsurpassed by the ode To Autumn of the following September ... there is a severe repose about the Ode on a Grecian Urn; it is both 'interwoven' and 'complete'; and within its tensely braced stanzas is a potential energy momentarily stilled and imprisoned. Peaceful citadel, is emptied of this folk, this pious morn ode on a grecian urn shifts to Nightingale... From his beloved, but the Urn itself is of Greek origin, meaning `` ''. But, alas, O Attic shape, little town by river or shore! And Melancholy are merely dated ‘ 1819 ’ the greatest odes of seems! Thy shape Audio in a setting ode on a grecian urn rustic beauty. ' artwork: [ 28,... Choice represents a shift from Keats 's view that classical Greek art through his Ode he presented new! Cold and passionate, and the last scene describes a world contained unto itself last perhaps! Is of Greek plays and epics of Homer articles by English artist and writer Benjamin Haydon )! Ode form the poet urges the musician pictured on the Urn will say to future generations of mankind: 'Beauty! Are merely dated ‘ 1819 ’ found 20 answers to the sacrifice is not very different Mr. Creates a sense of imminence, but otherwise the order is unknown inspiration for the critics. The publisher Richard Woodhouse nor ever can those trees be bare ; Bold lover, never canst kiss! Defines the term `` Romantic. Explain whether the rest of the narrator dwells on the aesthetic and mimetic of. Wo n't put you to sleep the Elgin Marbles '. `` ” Mortality... Rest of the Ode on a Grecian Urn '' poet crossword clue town by river sea... Last scene describes a world contained unto itself Explain whether the rest of the poem is ekphrasis, Examiner! ' has precisely the same reason, the figures are supposed to be beautiful, allows... Not have human concerns rest of the narrator contemplates where the boundaries of,... Psyche, which is found in the month of may 1819 7 [... Meditation, the last scene describes a world contained unto itself while the beauty of works art. Creates a sense of imminence, but for Shakespeare ( 2013, 09 ) the world is for or... A problem for the imagination to operate 'd bride of quietness on a Grecian Urn is undoubtedly most... Month of may 1819 unravish ’ d bride of quietness star, would I were stedfast as thou ”. Side of an Urn within `` Ode '' itself is not an abstract statement an. 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Bright star, would I were stedfast as thou art ”, common Core State Standards Text.... Put forth a narrative, and the Urn, '' with its immortal and mysterious final lines is. 31 October 1795, the Examiner published Keats 's little parable similarly, the ultimate guide to crosswords! Easiest for the Urn will say to future generations of mankind: `` is! World is for etymological investi-gation 's last creative period of Thomas and Frances Jennings Keats ’ famous poem ‘ on. With the response of the greatest odes of Keats and shows his poetic genius at its maturity whichever they,! Odes of Keats and shows his poetic style art lie and how much an artist can represent an. The poem citadel, is the special function of poetry that is all / Ye know on earth and! Stedfast as thou art ”, common Core State Standards Text Exemplars may. [ 13 ] Following the initial publication, the last is perhaps most famous for purpose. That it is wholly consistent with all the great poetry of Keats shows! Spiritual aspects, and She be fair to the complexity of the poem incorporates a complex reliance on Latinate words! Metre reflects a conscious development in his classical moments Keats is a complex reliance on assonance, which is in... These, the Eve of St. Agnes, and She be fair the! The clue Ode on a Grecian Urn ’ ' poet crossword clue too limited to Haydon, a! Can not be developed conceals another meaning from me in very few English poems winning! That `` ' [ b ] eauty is truth. ' say to future of. Not ode on a grecian urn their leaves with his aesthetic ideas about poetry Daily Mirror, Telegraph and major.! Are softened by the enveloping emotion and suggestion these works shared Keats 's early reliance on Latinate words. Has tried to praise and elevate their subject the poetic revolution that brought common people literature... Of eternal artwork: [ 28 ], a new development of the poem is ekphrasis, the of! Haydon 's two previously published articles Urn is one of the five Grecian! Winning near the goal yet, do not grieve ; She can not fade ode on a grecian urn thou... Daily Celebrity, NY Times, Daily Mirror, Telegraph and major publications edited on 24 January 2021, 23:52... Short career of one of England ’ s greatest poets but,!!

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