anna may wong
Since its publication in 1931, Wong had made known her desire to play O-lan in a film version of the book;[89] and as early as 1933, Los Angeles newspapers were touting Wong as the best choice for the part. [136], For her contribution to the film industry, Anna May Wong received a star at 1708 Vine Street on the inauguration of the Hollywood Walk of Fame in 1960. Her father was not happy with her interest in films, feeling that it interfered with her studies, but Wong decided to pursue a film career regardless. [36], Wong continued to be offered exotic supporting roles that followed the rising "vamp" stereotype in cinema. Enticed by the promise of lead roles and top billing, she returned to the United States. For decades after her death, Wong was remembered principally for the stereotypical "Dragon Lady" and demure "Butterfly" roles that she was often given. In 1921, Wong received her first screen credit for Bits of Life, the first anthology film, in which she played the wife of Lon Chaney's character, Toy Ling, in a segment entitled "Hop". Though she was given the starring role, this status was not reflected in her paycheck: she was paid $6,000, while Hayakawa received $10,000 and Warner Oland, who is only in the film for 23 minutes, was paid $12,000. [119] Wong's character was a dealer in Chinese art whose career involved her in detective work and international intrigue. Denn zu dieser Zeit war die … [150] In 2004, Philip Leibfried and Chei Mi Lane's exhaustive examination of Wong's career, Anna May Wong: A Complete Guide to Her Film, Stage, Radio and Television Work was published, as well as a second full-length biography, Anna May Wong: From Laundryman's Daughter to Hollywood Legend by Graham Russell Hodges. 28 talking about this. In Old San Francisco (1927), directed by Alan Crosland for Warner Brothers, Wong played a "Dragon Lady", a gangster's daughter. The film caused a sensation in the UK. In late 1953 she suffered an internal hemorrhage, which her brother attributed to the onset of menopause, her continued heavy drinking, and financial worries. Anna May Wong war eine Hollywood-Schauspielerin. Anna May Wong (born Wong Liu Tsong; January 3, 1905 – February 3, 1961) was an American actress, considered to be the first Chinese American Hollywood movie star, as well as the first Chinese American actress to gain international recognition. [157], Two photo portraits of Wong taken by Carl Van Vechten on April 25, 1939, CS1 maint: multiple names: authors list (, Stereotypes of East and Southeast Asians in American media, "Librarian of Congress Adds Home Movie, Silent Films and Hollywood Classics to Film Preservation List", "Oriental stardust: Anna May Wong in White Australia", "Anna May Wong's Lucky Shoes:1939 Australia through the eyes of an Art Deco Diva", "ACTF: The David Mark Cohen National Playwriting Award", "UCSB Special Collections: California Ethnic and Multicultural Archives", "Google Doodle celebrates Anna May Wong nearly 100 years after her first leading role. [68] Anna May had been paying for the education of her younger siblings, who put their education to work after they relocated to China. [106] In contrast to the usual official Chinese condemnation of Wong's film roles, the Chinese consul to Los Angeles gave his approval to the final scripts of two of these films, Daughter of Shanghai (1937) and King of Chinatown (1939). Of the German critics' response to Song, The New York Times reported that Wong was "acclaimed not only as an actress of transcendent talent but as a great beauty". [54], London producer Basil Dean bought the play A Circle of Chalk for Wong to appear in with the young Laurence Olivier, her first stage performance in the United Kingdom. She instead used her knowledge of Chinese style and gestures to imbue the character with a greater degree of authenticity. Metro-Goldwyn-Mayer deemed her "too Chinese to play a Chinese" in the film,[83] and the Hays Office would not have allowed her to perform romantic scenes since the film's male lead, Ramón Novarro, was not Asian. With her father and her siblings, Wong visited his family and his first wife at the family's ancestral home near Taishan. Wong became a fashion icon and had achieved international stardom in 1924. [19] The family's religious life also included Christian thought, in the form of Presbyterianism and as an adult she was a Christian Scientist for some time. Without her father's knowledge, a friend of his with movie connections helped her land an uncredited role as an extra carrying a lantern. Anna May Wong wurde 1905 als Wong Liu Tsong in Los Angeles geboren und wurde bilingual von ihren Eltern erzogen. [141] Although the Chinese Nationalist criticism of her portrayals of the "Dragon Lady" and "Butterfly" stereotypes lingered, she was forgotten in China. Im Wäschesalon ihres Vaters lernte sie sich schnell gegen ihre Geschwister durchzusetzen und trieb sich schon als Kind in der Nähe der Filmstudios rum, um Regisseure nach kleinen Rollen zu fragen. During the silent film era, she acted in The Toll of the Sea (1922) and Douglas Fairbanks' The Thief of Bagdad (1924). Anna May Wong, the first Chinese-American movie star, was born Wong Liu Tsong on January 3, 1905, in Los Angeles, California, to laundryman Wong Sam Sing and his wife, Lee Gon Toy. ISBN 0786416335 (engl.) One of the first and best known Chinese American actresses in the history of Hollywood, Anna May Wong starred in over fifty movies between 1919 and 1960. The Toll of the Sea. In den 20er- und 30er-Jahren spielte sie in vielen erfolgreichen Filmen mit. Anna May Wong, eredeti nevén Wong Liu Tsong (kínaiul 黄柳霜 / 黃柳霜, Huáng Liǔ-shuāng, magyaros: Huang Liu-suang; Los Angeles, 1905. január 3. [45] In Mr. Wu (1927), she played a supporting role as increasing censorship against mixed-race onscreen couples cost her the lead. [30] Still optimistic about a film career, in 1923 Wong said: "Pictures are fine and I'm getting along all right, but it's not so bad to have the laundry back of you, so you can wait and take good parts and be independent when you're climbing. Today’s slideshow Doodle celebrates the first-ever Chinese American movie star in Hollywood, Anna May Wong, on the 97th anniversary of the … During the silent film era, she acted in The Toll of the Sea (1922), one of the first movies made in color, and in Douglas Fairbanks' The Thief of Bagdad (1924). The film ends with Wong making a speech for the birth of a "new China". Wong began crying and a stampede ensued. American film star, Anna May Wong framed by a sinister-looking contraption in a still from one of her films. [60][149] Anthony Chan's 2003 biography, Perpetually Cool: The Many Lives of Anna May Wong (1905–1961), was the first major work on Wong and was written, Chan says, "from a uniquely Asian-American perspective and sensibility". Sie wurde als Nachfahrin chinesischer Einwanderer in Los Angeles geboren. [42][43] In the same year, Wong starred in The Silk Bouquet. Wong's image and career have left a notable legacy. Anna May Wong is the mysterious Chinese woman, and she plays a pivotal part in the drama, though I wish director Josef von Sternberg {Marlene's mentor} had given her a little more to do and say. [42][62] Wong's first talkie was The Flame of Love (1930), which she recorded in French, English, and German. Wong starred in Bombs over Burma (1942) and Lady from Chungking (1942), both anti-Japanese propaganda made by the poverty row studio Producers Releasing Corporation. Here, Anna May Wong was photographed in boxing gear for the British publication, The Tatler. [95][103] Conflicting reports claim that she was either warmly welcomed or met with hostility by the villagers. The article noted that Germans passed over Wong's American background: "Berlin critics, who were unanimous in praise of both the star and the production, neglect to mention that Anna May is of American birth. [128] She served as the apartment house manager from the late 1940s until 1956, when she moved in with her brother Richard on 21st Place in Santa Monica. [105] After a six-year absence, Wong returned to film the same year with a small role in a B movie called Impact. Wong returned to the public eye in the 1950s in several television appearances. [12] Anna May's older sister Lew Ying (Lulu) was born in late 1902,[9] and Anna May in 1905, followed by five more children. "[100], The toll of international celebrity on Wong's personal life manifested itself in bouts of depression and sudden anger, as well as excessive smoking and drinking. 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